I'm sure we've all heard the argument over which is better - film or
digital. There are passionate enthusiasts of both digital and film. As a
photographer who has used film for over ten years and digital for the last
four years, I would have to say that, at this time, it's just about even.
Film does still handle certain situations better than does digital, but for
all practical purposes, they will both produce professional results in the
hands of a professional. Some professionals are 100% digital. While others
still prefer film only or a combination of the two. So how do you decide
which is best for your wedding? When researching a photographer who shoots
digitally, it is important to discern if that photographer is relatively new
to the technology or has been using it for a longer period of time and thus
should have the bugs worked out. Examine photographs made by the
photographer using digital capture. Most likely, that photographer will have
work that was also captured with film. Compare them and see if you can tell
the difference. Most couples these days are open to digital as people have
become increasingly computer-savvy. What matters are the images and the
feelings that are captured and evoked. That's really the main reason we
photographers are hired. Digital does, though, offer several advantages to
the photographer while working. Here are a few points to consider: 1. The
ability to see the image right away. This is my favorite reason for using
digital capture. It gives me a level of comfort because I can see if my
lighting, expression, exposure, etc. are correct right away rather than
having to wait to see the film back from the lab in a few days. 2. The
ability to change the ISO (or the equivalent of film speed) on the fly. This
allows the photographer to go in and out of a myriad of lighting situations
without having to suddenly change film to match the light levels from place
to place at a wedding. 3. A virtually unlimited number of photographs can be
captured at an event. This can be the boon and the bane of the
photographer's existence, though, because if you shoot them, you've got to
edit them. But it frees the photographer from thinking "I can only shoot 10,
12 or whatever number of rolls of film at this event in order to keep it
within budget." 4. The ability to make black and white and sepia toned
photographs from the digital capture. When one shoots digitally (unless they
are captured in a black and white only mode) every photograph can become a
black and white and/or sepia image. Parents may want an image in color, the
couple may want to have it in black and white. 5. Digital workflow. Many
photographers now offer what is often called a magazine style (or flush
mounted) album. Images shot on film would have to be scanned in order to
produce this type of album. While it is totally doable, it adds time and
another step in the process. Digital capture eliminates the scanning and
often the time spent dust spotting the scan made from negatives. 6. Freedom
to experiment. I will often shoot images that I would not even try with film
because I know I will be able to erase it if it doesn't work and modify it
because I'll be seeing the results immediately. I was on a foreign trip last
year and stuck in the bus on a rainy day. I literally pointed the camera out
the window and just made some exposures just for the fun of it. And it was
fun! Some of those images were totally unexpected and I would not have
"wasted" film on it. But because I had the immediate feedback I could see
what was working, modify it as I shot and make some different images.
Despite all the buzz about film vs. digital, what it gets right down to when
selecting a photographer are the images and personality. Do you like the
feel and the style of the images that the photographer shows? Do you like
the photographer? Do you trust him or her? Do they exude confidence about
the work they do and the tools that they use? Do they have raving fans who
will share testimonials with you? Ultimately, these things mean more than
the format the photographer uses to capture your special day.
Tips on Hiring the Photographer by William Brokaw
Hiring a photographer is basically a three step process: browse,
interview, and then, negotiate. The browsing is the fun part. Find some
photographers in your price range and then check out their work. Don't
worry too much about packages at this point, that can come later.
Evaluating photographs is part science and part instinct. There should be
a good selection of photos to view, not just one or two weddings, and the
technique should be excellent. If it is, you almost won't notice.
Everything will just look right. If the technique is bad -- such as harsh,
dark or dull lighting or fuzzy pictures -- then the photos just won't look
good and you'll be able to tell right away. Do the photos look
professional or just common? Style is a matter of taste and where your
instinct comes into play. In my opinion, wedding photography should be
natural and exude a sense of elegance. Be picky! It's alright to be
hyper-critical at this point. Does a photo make you smile or is it just
another snapshot of someone you don't know? Is it a carefully posed photo
or a moment captured? Some couples don't mind spending extra time for
special photos, while others prefer to keep posing to a minimum and trust
the photographer to "see" and photograph the day as it unfolds. There
should be a consistency in the work that is presented. Everything should
be of the same general quality, not a couple good shots along with a bunch
of average photos. Of course some will be better than others, but overall,
the collection of photos will give you a good overview of the
photographer's skill and style. After selecting a few candidates, the next
step is to interview them and get a feel for their personalities and
approach. I suggest a telephone interview as a good first contact. Send an
e-mail to your candidates and ask them to contact you. Have them call you
at your convenience. Give them a number and a suggested time to call. Get
them to confirm the time and that way you can both avoid playing telephone
tag. Be prepared to ask plenty of questions and take notes. Maintain
control of the interview. You are the customer and the photographer should
respect that. Watch out for the hard sell. After your telephone
interviews, you should have a pretty good idea who you want to hire. The
final step is to meet and negotiate. By and large, photographers are
independent business people. We can be flexible. You may want more or less
than what is presented as a standard package. Talk it over and see what
can be arranged. Be prepared to make a decision shortly after you meet. If
you like a photographer, chances are good that so do other couples.
Don't Let US Dictate YOUR Wedding by Nathan Wacker
It's common knowledge that it takes many creative, hard working
individuals to pull off the perfect wedding. There are so many small
details to worry about, it would be enough to drive the bride and groom
insane. This is why they hire us, the wedding professionals. This
includes, but isn't limited to wedding planners, caterers, photographers,
justices of the peace, etc. This list can go on forever, depending on the
extravagance of the wedding and the amount of details you are willing to
leave to someone else. It isn't always understood however, that the bride
and groom still reserve the right to control their own wedding. Often
times, the couple places themselves at the mercy of the wedding
professionals, and are afraid to comment or direct them in any way. This
relationship may work fine in most cases, but sometimes this results in
the bride and groom being placed in uncomfortable, or undesirable
conditions, or ending up with a product that is less than they had
envisioned. Hand feeding your spouse cake or smashing it in the others
face isn't always what couples want. Long drunken speeches may not be your
idea of pleasing either. I'm not saying there is anything wrong with it if
it is your idea of a good memory or photograph; it's just not for
everyone. As far as photographs and food go, the couple will be much
happier if they feel they have some control, and end up with an end result
that resembles what they were thinking about when they started hiring
people. Don't let us, your wedding professionals, put you in places you
are uncomfortable with. It's your special day, not ours. We are just
trying to make it as perfect as possible. We have no desire to take over
your wedding; we are just trying to do our jobs. Problems naturally arise
because we may have a different vision of your perfect day than you do.
We, the professionals, are not perfect. We can't read minds, and we
probably don't think the exact same way you do. Our opinions are often
subjective, and reflect what we would want at out own wedding. Just
because we have a vision of our perfect day, it doesn't mean that it's the
same vision you have of yours. While it's important to give your
photographers and other professionals the freedom to do things that they
know will result in a good final product, don't be afraid to tell us what
you want. After all I hardly think this is the day that we have been
dreaming about since we were little girls. And I really don't think we
lost any sleep wondering when the perfect time to pop the question will
be. The bride and groom are the most important part of the wedding, and a
good wedding professional knows this. We are almost always willing to be
flexible for you, because we aren't happy unless you are. So feel free to
show us samples of things you like, or pictures of things you find
beautiful. Any help you can give us will help you get the wedding of your
dreams.
Plan Before You Hire A Planner by Stacey Miller
Hiring a Wedding Planner/Coordinator is very important for even the
smallest weddings. However, a planner is there to do just that, plan your
wedding. Unless you are willing to give the reins to your planner and let
them pick everything out and surprise you, there needs to be an idea in
place. We, as planners, can pretty much do anything you will need us to
do, but we don't pay for everything and we are not the ones getting
married. Therefore, we ultimately cannot make the decisions. The first
thing you really need to have an idea about is your theme and your colors.
From there we can give you examples of how we feel the ceremony area and
reception area should be decorated. You also need to know which types of
flowers you like and then we can give you advice on how we think they
should be utilized. You need to have a catering menu ready to go with the
items you are wanting for your reception. We cannot pick the menu out for
you. We can give you suggestions, but we don't know what you like and
don't like to eat. Those are just a few things, but there are more. We are
here to help you and make sure that your wedding and reception are your
dream come true. However, what people don't realize is how long it can
take to hire vendors. The longer it takes to put a menu together, the
longer it will take to hire a caterer. This time is crucial. If you wait
too long, your preferred caterer may not be available. As a wedding
planner, I thoroughly enjoy planning and coordinating weddings. However,
unless you are willing to put everything in the hands of your planner,
some decisions have to be made ahead of time to make things run smoothly.
This is particularly true with choices like your caterer, videographer,
venue, and photographer, to name a few. We want your wedding to be the
best day ever for you and your guests. If there is a plan already in place
as to who you would like to use for your vendors, this will greatly help
us. Even if it is two or three vendors in each category -- at least we
have an idea and we can get you what you want. In the end, we want you to
be just as excited as we are to see everything come together and be as
beautiful as you are expecting it to be.
Dont Fear Digital Myths: Know Your Photographer's
Capabilities by James Pickett
There is a common misconception that digital images come from small cheap
cameras and are inferior to film. It has been much to my surprise to see
some highly renowned wedding photographers using inferior digital
equipment that has given pros who use digital equipment a bad name. The
truth is that professional digital equipment can be far superior to
traditional film capture in many ways. A professional SLR user with high
quality lenses can capture images with less grain, and a higher color
fidelity than a film SLR with average lenses. High end digital SLRs can
almost always capture images in low light with much less grain than film.
Digital SLR's with non interchangeable lenses can also yield poor results.
A smaller image sensor has pixels that are much closer together than a
larger sensor and can result in "digital noise". These sensors are often
found in digital "point and shoot" cameras with non-interchangeable
lenses. Some average lenses are more than adequate to complete the task at
hand, but are often soft, and lack the "tack" sharpness of many high-end
professional lenses. Some film photographers are still using filters to
compensate for color balance or not using filters at all resulting in
images that can be yellowish where there is ambient light, and white where
the flash is fired, ending with a poor overall color balance. It is much
easier for a pro digital photographer to compensate for color balance
issues before, during and after the image is taken. Many corrections are
made in post production before the prints are made. If you prefer
traditional film for the sake of archiving the negatives to have a
permanent, re-printable record of your wedding you may also have a better
option in digital. Most professional photographers have a very intricate
archival and backup habit leaving copies of digital images offsite as a
backup keeping your memories twice as safe in the event of a natural
disaster or fire allowing you to have re-prints and extra albums made with
a simple phone call instead of dragging all of the negatives to a lab and
leaving your photos at the mercy of old chemistry or an un-attentive
staff. Negatives can change color, become brittle, or degrade over time.
Digital, when archived properly, will never be any different than the day
the photos were taken. When thinking about the camera your photographer
will use to capture your wedding, be sure not to be fooled by the
megapixel count of the digital camera's image sensor. This number is a
count of how many million pixels a camera's image sensor has, but it does
not define the image quality or the ability of the camera to render a good
image. One 8 megapixel camera may have an image sensor that is very small
(the size of a pinky fingernail for example) with very tightly packed
pixels that can interfere with each other and cause image degradation.
Many smaller sensors are also very cheap mass produced CCD (charge coupled
device) sensors that have diamond or hexagonal shaped pixels, typically
rendering images that are slightly oversaturated, causing poor skin tones
and off color scenery. CMOS (complimentary metal oxide semi-conductor)
sensors can often be of truer tone and image sharpness due to their
circular or square pixels and are often bigger resulting in much less
noise and better color depth. There is no one piece of the photographic
equation that will make a good or bad image (beware of photographers that
say "that doesn't matter, its this that makes the image great") but a
compilation of superior components and talent that make your day truly
memorable for years to come. The lens, camera, image sensor, image
processor, photographer, and print are all equally important in the final
product. Professional digital SLR bodies that are respected and commonly
used in the photographic community are: Canon EOS 1D, 1DS, 1D mark2, 1Ds
mark2, 1D mark2n, 10D, 20D, 30D, 5D. Nikon D70, D70S, D100, D200, D1X,
D2H, D2X Fuji (Nikon based using Nikon Lens system) S1, S2, S3.
The Importance of an Engagement Session by Alexis Achten
When I mention the words "Engagement Session" many couples cringe and
think of their senior portraits. Once I explain that they are taken at a
location of your choice, outside, and are fun, many warm up to the idea.
Besides having fun, it is really important to take the time to have these
photos done. For me, I want to get to know more about my couples. This
session is a perfect opportunity to do just that and to figure out how
they are in front of the camera. Maybe one of them is a blinker or pushes
their head back to make a double chin. These are things that I don't want
to happen on the wedding day. I can now tell them better ways to position
their bodies to avoid these problems. They will also learn how I work and
communicate with them. In the end they will see a mix of candids and
beautiful portraits. Once the wedding day arrives both of us are totally
comfortable working together and have fun! The couple knows what to expect
from me and will have a wide variety of images to cherish for years to
come.
Setting The Mood With Color by Tracie Callihan
One of the first questions that I ask a future bride is this, "how do you
want your wedding to feel?" Whether you want sophistication and elegance
or fun and whimsical, the colors you select can make all the difference.
From the moment your guests enter the space where you choose to marry or
walk into the reception hall, the colors you have chosen will convey the
mood of the whole day. When you start out with the feeling or ambiance
that you want to create, then develop the design of your wedding -- it
makes the whole process of a creating your dream wedding easier. For
example, recently I had two brides with their weddings a week apart. They
both had very different ideas on how they wanted their day to feel. The
main color of yellow was picked for each wedding. Bride #1 wanted a very
elegant feel where as Bride #2 wanted to have fun and party. The challenge
was that the weddings were dangerously close to Easter and neither one
wanted their wedding to look like part of the holiday. We designed an
elegant feel by pairing yellow with silver and white for the first bride.
The second loved bright colors so fuchsia and orange were paired with
yellow so when you walked in the door you knew it was time to party. Each
bride had started out with the same color of yellow but because they knew
the mood they wanted their guests to feel, finding the color combinations
to reflect the mood was a breeze. Once that you have a definition of a
feeling that you want to create -- whether its classic, whimsical,
elegant, romantic, or traditional, this becomes a great starting point for
all the other elements. The next step would be to take a really good look
at the venue that you have chosen for the wedding and reception. Are there
strong colors in the room that might clash with the ones you are
considering? I have seen a reception held in a Chinese restaurant where
the walls were bright red. The bride's colors were a clashing purple. She
did not achieve the romantic look that she had wanted and her pictures
show the red chairs, walls and curtains more than the purple tulle
scalloped along the tables. Observe the venue at the time that your
wedding or reception will take place. See how the lighting will affect the
room. Some colors will appear very different with different types of
lighting. Here are some color ideas to go with the mood you have chosen:
Romantic: Apricot, Dusty Rose, Lavender, Sand, Cream Antique White, Mauve,
Sage Green Exotic: Topaz, Mandarin Orange, Corsican Blue, Raw Umber,
Carnelian, Jade Whimsical: Fuchsia, Bright Orange, Lemon Yellow, Kelly
Green, Cobalt Blue, Lime, Purple Tranquil: Lilac, Sky Blue, Celadon,
Eggshell, Seafoam Green, Violet, Mint Green, Taupe, Pale yellow, Peach
Classic: Hunter Green, Cranberry, Mahogany, Gold, Colonial Blue, Plum,
Navy, Grey, Raisin Brown, Vanilla Elegant: Alabaster, Pale Gold, Deep
Blue, Royal Purple, Coral, Deep Periwinkle, Porcelain Rose, Silver These
are just some suggestions. You might find a wonderful brown, teal and pink
that works perfect together. The general rule is stick to two or three
colors at the most because too many start to look like a birthday party.
So hit Home Depot or a local ribbon shop. Get lots and lots of paint chips
or strips of ribbon and try out different colors until a few feel just
right.
I'm Getting Married -- What Do I Do First? by Stacey
Miller
The first thing you should do is decide on a date for your wedding. That
is the most important thing to have before you start to even think about
looking for possible vendors. Make sure you have more than one possible
date for your wedding. Why, you ask? Here are some reasons: 1. If you are
going to hire a wedding planner/consultant, they book up fast. Lets say,
for instance, that your wedding date is September 2, 2006. When you call a
planner/consultant, they may not have the 2nd available, but they may have
the following weekend open. So having a little bit of leeway with the date
could help you in hiring a planner. 2. When booking your church or
reception hall, the date you have chosen may also be booked. Having an
alternate date will help you and your planner in booking the venue you
want. This goes for other vendors as well. The second thing you should do
after choosing a wedding date is hire a planner. The earlier you do this
the better off you will be in general. Most people think that you have to
wait until 6-9 months before your wedding to hire a planner. This is a
misconception. You should hire a planner/consultant ASAP. Not only does
this give you more time to pay for the consulting fees, but it gives the
planner extra time to plan your wedding and make sure that you have gotten
the best vendors. You can hire a planner anywhere from two years prior to
the event to two months prior to the event. However, the shorter time span
the planner has will decide how great your wedding will be accomplished.
After you have hired a wedding planer, they will keep you up on what tasks
have to be done and when. If you hire a wedding planner you don't need to
worry about what comes next, but if you are not going to hire a planner
you will need the following immediately (in order of importance): 1.
Church or Wedding Site 2. Reception Hall/Site 3. Photographer (they book
up to at least 1 year in advance) 4. Caterer (they book up to 1 year in
advance) 5. Videographer 6. Florist 7. Honeymoon (depending on where you
are going) 8. Band or DJ Service 9. Cake (some cake designers will allow
you to book 1 year in advance, but many don't) 10. Transportation 11.
Invitations (need to be mailed 2-3 months prior to wedding) 12.
Save-The-Date Announcements (need to be mailed 6-9 months before wedding)
13. Wedding Dress (needs to be chosen at least 8 months prior) 14.
Bridesmaids Dresses (need to be done at least 6 months prior) 15.
Decoration Rentals (at least 6 months before) Once you have the important
things out of the way, you can concentrate on the other things that need
to be done, like favors, gifts, hair stylist, et cetera. By this time you
should be good and stressed out. This is why it is so crucial that you
hire a wedding planner. The stress of planning a wedding can become
overwhelming and annoying. Therefore, before you decide to do things
yourself, call a planner and get some direction from them. With the stress
being taken away you can enjoy your special day.
Choosing Flowers for Your Wedding by Angie Mauldin
As you know, planning a wedding is a very exciting and sometimes stressful
time. There are so many decisions to be made that most of the time you
don't know where to start. With choosing flowers, it really can be very
simple. First find the colors that you want to use for the wedding.
Remember that flowers provide the accent to your day. You are the center
of attention and your flowers and colors, even the bridal party, are all
accents and extensions of you and your exquisite taste. Always choose
flowers that accent your dress, not blend with it. Even the most subtle
spashes of color can be absolutely beautiful because sometimes less is
more. Try to keep in mind the season in which you are planning your
wedding so that you can wisely choose flowers that are in season so as not
to exceed your flower budget on special flowers that may be harder to get.
Remember too, that this is a happy time for you in your life -- so let a
professional minimize your stress by helping you choose flowers that will
best accent your wedding.
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16 Questions to Ask a DJ (Part 1) by ating the date, time, and location of
your event. Keep in mind that some DJ companies subcontract their services
and they may always indicate that they are available; most of the time there
is not a problem with this. 2. Will the disc jockey you speak to be the one
who performs at your event? Be aware that some DJ companies act as booking
agencies that assign many DJ's to functions they book. To avoid any last
minute surprises, make sure that you have spoken with the person who will be
performing at your function before you book the event. Don't let your event
be a training session for someone with little or no experience. 3. Is the
disc jockey willing to meet with you for an interview before you hire them?
It is important that the DJ you choose be a serious professional who is
willing to dedicate time and effort to your event. This commitment should
start before any agreements are made, and a dedicated professional should be
happy to meet with you to answer any questions. 4. Can the disc jockey
supply you with references from previous clients and properties at which
they have worked? A recommendation from another person is a great way to
find out if a DJ is right for your function. When you ask for references
make sure you get previous clients and properties at which the DJ has
performed. 5. What kind of experience does the disc jockey have and does
he/she have it in the event type you are booking? Many events follow a
specific format. It is essential that the DJ be familiar and experienced
with the format of your event. Choosing a DJ with adequate experience will
help to assure that your event runs smoothly. An experienced DJ will be able
to handle unforeseen circumstances and work in coordination with the
photographer, caterer, and other services. 6. Will the DJ use professional
equipment? Make sure that the DJ uses only professional audio equipment. Pro
audio equipment is made to handle the demanding conditions that are required
of a mobile sound system. A system comprised of only pro equipment is far
less likely to fail and will look and sound better than a home built system.
7. How does the equipment look and what is the expertise of the DJ with it?
Yes, the equipment does make a difference. This does not mean that you have
to be an expert as well, but it would not hurt to peruse some of the
professional DJ equipment manufacturers to get some information to be armed
with when you talk to your DJ. Also, remember, more than likely you will be
spending good money on decorations for your event; the DJ's equipment should
not spoil that. Also, it should not be consumer grade equipment. Remember,
Uncle Jack's stereo might sound great in Uncle Jack's basement, but, it may
be barely heard when put into a banquet hall of 300 or more people. 8. Will
the DJ be involved with the planning of your event? A DJ should do far more
than just play music. They should become involved with the planning of the
event. The DJ should be available to you prior to your function to discuss
music selections and coordinate the event. By combining your suggestions
with their professional input, an itinerary should be prepared before the
function. This will allow the DJ to focus on the itinerary of your function
while you sit back and enjoy it.
16 Questions to Ask a DJ (Part 2) by Thomas Ohlendorf
9. Will the DJ host the event and interact with your guests? The DJ should
do more than just play music and should be prepared to handle any
announcements and special events throughout your event. There are many
options for specialty games and crowd participation dances which can
enhance any event. Whether you prefer wild or mild, you should be able to
decide exactly how interactive the entertainment will be before the event
takes place. 10. Will your disc jockey be suitably dressed for the
occasion? It is important that your DJ looks the part by dressing in
formal or semiformal attire, depending upon your preference. Be sure to
specify the type of apparel that your DJ should wear. There should be no
added fee charged for formal attire. 11. Is your disc jockey willing to
discuss musical selections ahead of time, and are they willing to play
requests, particularly if they are suitable for dancing? It is important
for your DJ to know exactly what type of musical preferences and
entertainment needs you have for your event. They should be willing to
listen to your ideas and suggestions. They should make themselves
available prior to your event to discuss selections. They should be
earnest in accepting the songs you have chosen to be played as well as
those you have chosen not to be played. Special requests should never be a
problem and your DJ should be willing to play them where they are
appropriate. 12. Will your disc jockey arrive on time? Punctuality is a
necessity, and as professionals they should be aware of their
responsibilities to their clients. Normal time spent setting up and
removing equipment is not a part of the entertainment fee. 13. Can your
disc jockey provide a written contract? It is extremely important to have
your booking confirmed in writing. All terms of the agreement should be in
writing to avoid any complications at a later date. 14. Will you play my
CDs? Honestly, there is no guarantee that your CD is in playable
condition. If it skips, who gets blamed? Instead, talk to your DJ about
the songs that you want; many times if your DJ does not have a particular
song he/she will get it if it available. 15. Is there backup equipment on
hand? Murphy's Law is always present, so it is important to know whether
your DJ has extra components, or hopefully another entire sound system
available to them. Any number of circumstances may arise between the time
you book your Disc Jockey and the date of your event. Booking a reliable
Disc Jockey is a very important decision for the success of your event.
16. What is the DJ's music source? Many DJs are using Computer Playback
Systems (CPSs) these days. There is absolutely nothing wrong with this.
However, the music they play from their CPS could come from unlawful
downloads; this is a problem. Ask your DJ where he obtained his music. If
he said it was downloaded, ask where because there are pay download sites
available. If he uses one of the music sharing services, RUN FORREST RUN.
Even with the legal download sites, still be suspicious because the
quality cannot always be guaranteed; that is, degradation may have
happened in the transfer, the encode may have been bad on the site, the
encode may have been at an unacceptable bit rate, etc. If the DJ
indicates that he did the encode, find out the source of the original
encode.